The Useful Gap – Georgia Laughton

‘The gingerbread-man stands in the gingerbread house and silently screams — is he made of house? Or is the house made of him?’

This exhibition showcases a diverse collection of artworks created using photography, etching, cyanotype, and lino printing. Each piece invites viewers to explore the unique space pigeons occupy today—hovering between domestication and the wild.

Historically, pigeons have played significant roles in human society, from messengers to symbols of peace. Today, they are often overlooked or misunderstood. This exhibition reflects on their past domesticated roles and contrasts them with contemporary public perceptions and treatment.

Designed to be accessible and enjoyable for all ages, the artworks are gentle in tone and presentation. The exhibition aims to spark thoughtful reflection on how human activity shapes our planet, while also encouraging consideration of the delicate balance between nature and culture. If visitors leave with a newfound appreciation for pigeons, that’s a welcome bonus.

The source imagery includes photographs of pigeons captured during Georgia's travels around the world, as well as in Bendigo—highlighting both the global and local presence of these resilient birds.

Supported by Bendigo Venues and Events as part of The Capital Foyer, Local Artist Exhibition Program 2025.

Exhibition is open during Box Office Hours and prior to performances in the venue.

Downstairs Foyer Space: 5 - 28 September 2025.

Some words from the artist

'I often look at pigeons and wonder if, due to humans, they have a similar identity crisis.  

'This collection of images explores the discarding of pigeons by humans once they no longer served a purpose, forever lingering in the empty space between domestication and wild. What emerges is a useful gap in which to exist.   

'Pigeons are found throughout the world - a common sight in towns and cities. Watching pigeons has helped ground me when I stood in unfamiliar places. It doesn’t take much effort to find a pigeon. 

'I approached the creation of these artworks much like a flock of birds. Maintaining the common linking of the subject but using different styles and mediums to allow for the formation of an eclectic collection. The collection is made up of photographs, linocut, and intaglio prints created through dry point and solar plate etching. Each artwork is linked — through material or medium or both. Forming a chain with no clear start or finish, each link slowly changing over time, but forever coupled to what came before — much like our treatment of pigeons.'