Performed by Kenneth MacLeod, Stephen Mitchell, Clare Shamier and Kate Stones.
"Dramatic demonstrations by animal rights activists have whipped up outrage and debate across the country, with the meat industry condemning the vegan protesters’ tactics” Isabelle Lane, The New Daily, April 9 2019.
Abattoir Noir uses dark humour, song, dance, and sketch to expose the cruel practices inherent in the meat industry - in the production of meat products and practices of animal husbandry. It is based almost entirely on verbatim texts quoted in various literary sources, from individuals who work in that industry, shaped into a relentless rhythmic text.
Abattoir Noir audiences say
“…ethically confronting but doesn't ever forget to entertain...Plenty of food for thought!”
“Moments of crystalline beauty juxtaposed against a relentless script, pounding onwards like a conveyor belt into the depths of Hell.”
“Infuriating, sad, numbing, funny, real, shocking”
This performance is a further development and the Saturday evening performance will be followed by audience Q and A/Discussion.
About The Red Room
“The Red Room Theatre: regionally based; globally connected; artists who defy easy categorization; a strong, lateral and DIY aesthetic that meets true artistic commitment and the highest levels of technical expertise" Jane Crawley, Director, Arts Investment, Creative Victoria
Donations accepted at the door.
Saturday 13 July at 8.00pm (with post show audience and artist discussion)
Sunday 14 July at 3.00pm
Warning: Abattoir Noir includes explicit material pertaining to animal cruelty that may be upsetting to some audience members. From ages 18+ only.
The Venue: The Engine Room
Terms and Conditions
This event is sold on behalf of the organisation responsible for presenting this event and is subject to the conditions applicable to that event and/or the venue where held.
All sales are final. There is no refund or exchange on tickets except as provided for under the Live Performance Australia Ticketing Code of Practice.
The right is reserved to vary advertised programmes and to add, withdraw or substitute artists as necessary.
The management reserves the right to refuse admission.
Latecomers may not be admitted until there is a convenient break in the performance.
The use of cameras or other recording devise and equipment constitutes a breach of copyright and is strictly forbidden.
Patrons must ensure all electronic devices are switched off or to silent throughout the performance.
Persons bearing a concession ticket must carry proof of entitlement.
G.S.T. included where applicable.